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One moment, the tone is deep, soothing and romantic at others, harsh and in-your-face. Manoj Paramahamsa's camerawork is sizzling. But some of the songs in the second half don't fit. There's a would-be love-track that seems unnecessary before the story takes off again.Ī R Rahman's soundtrack is very romantic the background score fits in and Aaromalae is a delight. The dialogues and confrontations are repetitive. On the minus side, VTV suffers from the same defect as Vaaranam Aayiram: the second half lags in pace. Despite being the usual love story, the plot twists and turns are admirable. Almost every one-liner in the first half earns applause. This is one director who's got the pulse of today's urban youth perfectly.
YE MAYA CHESAVE DIALOGUES MOVIE
Babu Anthony, Kitty and Uma Padmanabhan are believable, but this movie is so completely woven around the lead cast that the rest barely figure in it.Ĭredit for their perfect portrayal, of course, goes to Gautam Menon.
YE MAYA CHESAVE DIALOGUES FULL
And Gautam Menon has given full reign to it. The two try to outdo each other in every scene, and the chemistry between them is palpable. The hurt in her eyes when she asks Simbhu if he's 'moved on' is perfect. She transforms herself into a complicated person who wants something but can't bring herself to accept it. Shorn of her filmi make-up, she dazzles in Nalini Sriram's simple costumes. His reaction to her every move is priceless he does more with his body language than with dialogues.
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He's cautious, optimistic, blindly happy one moment and yet puzzled by her the next. Simbhu finally learns to downplay things, and is a joy to watch, especially when he's in the throes of getting Jessie to love him. Jessie maddens Karthik, tossing him like a cork on sea-waves and in the process, draws you in.Īs far as acting goes - kudos to the director for the perfect casting. She wants romance but not without her father's consent, who would rather die than see his daughter married to a Hindu. You never know what her real feelings towards Karthik are until she talks to him can't guess her motivations or her decisions because she herself doesn't know them. Jessie, on the other hand, is a marvelously complex character. His intentions and actions are simple: he's crazily in love with her, and has no idea why he fell in love with her. This isn't exactly a story about a boy who falls hopelessly in love - it's more about Jessie. Life turns upside down for Karthik once again. They make a tentative arrangement to be 'just friends' - but a train journey shows them that that can't happen.įinally, Jessie tells him flatly that she's going to get married, and nothing can stop the wedding. He pursues her in earnest, only to be rebuffed even more, every time. He believes her heart tells a different story. Jessie is firm, polite, but Karthik is reckless. What follows is her background: Malayali Christians from Alappuzha, her family will never consent to this. Jessie, however, is more shocked than impressed. He starts following her everywhere, eats where she eats, drinks what she drinks and in one sudden, completely un-looked for moment, confesses that he's 'crazy about her.' She's dressed simply, invariably in cotton saris or salwar kameezes, smiles politely, and never seems to even recognise him as she goes to her job at Polaris.
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Jessie (Trisha Krishnan) passes him by on the street - and he's instantly smitten (here's where you have the delightful Hosanna, sung with enthusiasm). He's always around cameraman Ganesh (Ganesh) - the two hunt for locations, share philosophies about life and become best friends, despite an age difference. Eventually, he becomes an assistant director to K S Ravikumar (who makes the best of the few minutes he's allowed and has a blast). His father (Kitty) is not convinced but Karthik is very persuasive. So you have Karthik (Silambarasan aka Simbhu), a mechanical engineering student just out of college, who cherishes the hope of becoming a filmmaker. The characters go through a whirlwind of emotions, laugh and cry, and take you along with them. It's like putting a camera into the intimate, everyday life of two people and following them on their adventures. The best part about VTV is that it revolves around people, rather than events. But Red Giant Movies' and Escape Artists Motion Picture and R S Infotainment's Vinnaithaandi Varuvaaya ( Will You Cross The Skies For Me) puts a new spin to the age old romantic tale.ĭirected by Gautham Vasudev Menon, the film is possibly one of 2010's most anticipated movies. Love stories have always ruled the roost in Tamil cinema.